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Twee harige honden op straat bij een reparatieloket voor aanstekers, Parijs, Ed van der Elsken, 1950 - 1954

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Twee harige honden op straat bij een reparatieloket voor aanstekers, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-48

The image captures a street scene with two individuals seated on chairs outside what appears to be a kiosk or repair station labeled "BRIQUETS STYLOS" which translates from French as 'Stylus Pencils'. A sign above the stall indicates that these are also known as 'Machines à écrite', suggesting they serve for writing purposes. The vendor, wearing a hat and coat typical of earlier decades, is attending to his wares beside an array of items possibly related to pencils or pens.

Both seated individuals have unusual furry garments covering their heads, adding a whimsical element to the scene which suggests it might be cold outside given their heavy clothing. In the background, we observe part of Parisian architecture with pedestrians walking by, and buildings that reflect early 20th-century European urban design.

The image is in black-and-white, reinforcing its historical context likely from mid-20th century Europe based on fashion and architectural style. The absence of modern element

#european #photography #fotografie #edvanderelsken #europe #french #parijs #parisian #briquetsstylos #styluspencils

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Vrouw leest de krant op een terras in Parijs, Ed van der Elsken, 1950 - 1954

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Vrouw leest de krant op een terras in Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-44

The image is a black and white photograph depicting two individuals seated at an outdoor table, seemingly in conversation. On the left side of the frame, there's a man dressed formally with glasses on his head, looking off to the distance while holding what appears to be a cigarette or cigar case. Beside him sits another individual who seems engrossed in reading something - possibly a newspaper given its size and fold pattern. This person is attired in a jacket over a lighter-colored outfit.

The setting suggests an outdoor café with architectural elements like arches visible in the background, creating a semi-shaded ambiance where people can walk or sit comfortably outdoors. The overall mood of the photograph appears candid and informal yet captures the essence of leisurely social interaction during what might be mid-20th century European urban life.

There's no explicit context to indicate their exact location, but it closely resembles Parisian street scenes from that era due to

#european #photography #fotografie #edvanderelsken #parijs #parisian

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Demonstranten lopen over boulevard, Parijs, Ed van der Elsken, 1950 - 1954

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Demonstranten lopen over boulevard, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-49

The image is a black and white photograph capturing a bustling city street filled with people. It appears to be taken during daylight hours, possibly in the mid-20th century given its monochrome quality. A dense crowd of individuals fills most of the frame from left to right, suggesting some form of public event or gathering that has drawn many attendees. The crowd is tightly packed together, and their clothing styles vary but suggest a post-war era fashion.

In the foreground on both sides are older models of cars, indicating an urban setting with active traffic at this time. There's also another vehicle—a tram—on tracks visible towards the middle-right part of the image, adding to the bustling atmosphere.

Buildings line either side of the street, displaying a European architectural style common in Parisian streetscapes or similar cities during that period. One building prominently features signage for "Credit Lyo," which could be indicative of financial institutions found in urb

#european #photography #fotografie #edvanderelsken #paris #parijs #parisian #demonstrantenlopen #creditlyo

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Blinde bedelaar in Parijs, Ed van der Elsken, 1950 - 1954

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Blinde bedelaar in Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-72

This black and white photograph captures a moment on the streets of Paris, with two individuals as its subjects. The setting appears to be in front of a large wall or facade that reads "MONDIAL NATIONAUX D'ESCOMPTES DE PARIS," suggesting it is related to financial transactions or banking services from the mid-20th century.

On the left side of the frame, an older woman stands near what looks like a window on the building. She wears glasses and has her head slightly tilted as she gazes in the direction opposite that of the viewer. Her attire consists of a long coat with a draped collar, likely made of wool or another heavy fabric suitable for cool weather.

On the right side sits an older man who is partially turned towards us but facing away from his companion. He wears glasses and has on what appears to be a cap as well as casual clothing including trousers that extend below where he's sitting—possibly indicating loose-fitting, comfortable attire suited for extended periods of wai

#photography #fotografie #edvanderelsken #paris #elsken #parijs #parisian #blindebedelaar #deparis

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Straatartiest draagt jongen op zijn schouder, Parijs, Ed van der Elsken, 1950 - 1954

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Straatartiest draagt jongen op zijn schouder, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-55-6

The image depicts a moment of levity and camaraderie on an urban street. Two individuals are the main focus, engaged in what appears to be playful or celebratory interaction. The person at the bottom is holding up another individual who has their arms raised high above their head, creating a sense of joyous abandon.

They stand against the backdrop of a European cityscape with classic architecture and narrow streets indicative of Parisian surroundings during mid-20th century times. The presence of vintage cars and motorcyclists further supports this historical context. Onlookers in period attire add to the scene's authenticity, suggesting a public space where such spontaneous interactions are witnessed by others.

The black-and-white color scheme reinforces the era depicted as it was common for everyday photography during that time. It evokes a sense of nostalgia while capturing an essence of human connection and joy amid urban life.

Notably, this image is credited to Ed van der

#european #photography #amsterdam #fotografie #edvanderelsken #paris #parijs #parisian

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1-mei-demonstratie in Parijs, Ed van der Elsken, 1949

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1-mei-demonstratie in Parijs, Ed van der Elsken, 1949

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-5-20

The image depicts a historical moment captured in black and white, showing three individuals walking through what appears to be a public demonstration or parade. The man on the left raises his fist high, suggesting solidarity or defiance, while holding several papers in one hand that could represent pamphlets or documents related to their cause. He wears a dark suit with medals pinned onto his lapel, indicating he may have served in a war or participated actively in political movements.

The central figure is an older man using a cane for support and wearing a hat indicative of the early 20th century style. His expression appears stern but resolute as he walks alongside another woman to his right. The woman smiles warmly towards the camera, exuding confidence and joy despite potentially facing social or political adversity.

Surrounding individuals are partially visible in the background, suggesting this event is well-attended with many participants. Some wear suits, while others h

#photography #fotografie #edvanderelsken #parijs #parisian

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Place de la Concorde, Parijs, Ed van der Elsken, 1950 - 1954

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Place de la Concorde, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-26-7

The image captures a bustling street scene on what appears to be an overcast day, likely during or after rainfall as indicated by the reflective surfaces and wet pavements. The vantage point is elevated above eye level, providing a broad perspective of the urban environment below.

Numerous individuals are seen navigating through the cityscape; their movements varied with some walking briskly while others pause momentarily. A few people use umbrellas to shield themselves from rain or sunlight, suggesting that it could be either drizzling lightly or sunshining bright against the gloomy sky.

Traffic is dense and diverse: vintage cars of different makes and models suggest a mid-20th-century setting; their design distinct yet harmoniously integrated into urban chaos. The vehicles are captured in motion—some moving steadily, others seeming to slow down as they approach pedestrians or navigate through puddles on the street surface.
The backdrop is framed by an assortment of buildings l

#european #photography #fotografie #edvanderelsken #paris #placedelaconcorde #parijs #parisian

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Toeristen op één van de torens van de Notre-Dame in Parijs, Ed van der Elsken, 1950 - 1954

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Toeristen op één van de torens van de Notre-Dame in Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-26-91

This black and white photograph captures a moment from the year of 1950, titled "Paris 1950," as indicated by handwritten text at the bottom left corner. The image depicts several individuals standing on what appears to be a viewing platform overlooking Paris's cityscape below. Among them are two men in suits—one smiling and gazing toward the camera—and one woman seated with her back turned, all seemingly engrossed in admiring the view.

The Eiffel Tower is prominently visible against the hazy skyline of buildings that fill much of the background, suggesting a perspective from an elevated vantage point. The Seine River meanders through Paris and crosses into the frame on the right side. A stone balustrade can be seen where people are gathered, with one person sitting contemplatively at its base.

The individuals in this photo exhibit diverse styles indicative of mid-20th-century fashion: coats, skirts, trousers, hats, and sunglasses reflect a bygone era's elegance while also offeri

#photography #fotografie #edvanderelsken #paris #parijs #parisian #theeiffeltower #seineriver

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Filmaffiche op straat, Parijs, Ed van der Elsken, 1950 - 1954

-Aucclair

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Filmaffiche op straat, Parijs, Ed van der Elsken, 1950 - 1954

-Aucclair

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-26-55

The image depicts a black and white photograph of a large, old-fashioned movie poster for the film "Quai des Blondes" by director Paul Cadac. The poster is displayed on an outdoor wall beside a person walking in a coat and hat towards the left side of the frame. In front of the camera, it captures two main characters from the film: a man with curly hair wearing a dark suit and bow tie who appears intense or determined as he holds a revolver, pointed away from his body; and a woman with blonde curls styled elegantly in her 1950s fashion attire holding onto the man's arm. She is looking towards him with an expression of anticipation or concern. The text on the poster highlights that it was made by Laage-Aucclair, mentions "Geval Color," which suggests color cinematography used for the film, and lists key cast members such as Pierre Foucaud, Michel Audiard among others. In the lower right corner is a small logo of what appears to be an artist or producer's mark with initials that read 'P.

#european #photography #fotografie #edvanderelsken #elsken #parijs #parisian #quaidesblondes #paulcadac #laage #gevalcolor #pierrefoucaud #michelaudiard

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Gezicht op Parijs vanaf Parc de Saint-Cloud, Ed van der Elsken, 1951

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Gezicht op Parijs vanaf Parc de Saint-Cloud, Ed van der Elsken, 1951

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-42-14

This black and white photograph captures a nocturnal cityscape with the iconic Eiffel Tower prominently rising in the background, its silhouette contrasting against an overcast sky. The urban area is densely packed with buildings of various architectural styles; some have illuminated windows suggesting activity within. A river meanders through the lower part of the image reflecting lights from both the structures and a bridge spanning across it. This scene encapsulates Parisian nightlife during mid-20th century, possibly taken in the 1950s given its style and quality which is indicative of early black-and-white photography. The absence of modern digital elements or contemporary architecture suggests this photo may have been captured before substantial urban development took place post-war recovery efforts.

#photography #fotografie #edvanderelsken #eiffeltower #parijs #parisian #gezicht

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Metro-ingang bij regen, Parijs, Ed van der Elsken, 1950 - 1954

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Metro-ingang bij regen, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-26-85

The image depicts a monochrome scene of a flooded urban area. In the foreground, two bicycles are parked on a flooded sidewalk beside an ornate metal fence that partially reflects their shapes in the waterlogged surface. A person wearing dark clothing and carrying an umbrella is seen walking through the floodwater towards the left side of the frame; another individual with similar attire appears to be walking away from this figure further into the scene.

In the middle ground, a tall structure resembling a lamppost or monument stands prominently in shallow water that has inundated what seems like a city street. A car is partially submerged behind trees and foliage, suggesting heavy rainfall recently occurred. Further down the street, more vehicles are visible at various distances from this central figure, indicating traffic flow continues despite the conditions.

A signpost with text on it reads "MONDIAL GIGÈNE" alongside some unreadable additional words or logos, adding a layer of

#photography #fotografie #edvanderelsken #parijs #mondialgigene #parisian

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