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#edvanderelsken

Opgezette vogels in een museum in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

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Opgezette vogels in een museum in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-25-20

The image is a black and white photograph featuring an assortment of birds in various poses on what appears to be rocks or water's edge. There are several pelicans, one with its bill open as if it has caught food, another standing guard-like near the forefront, and others scattered around. In addition to the larger species, there are smaller seabirds like gulls or terns present among them. The background is muted and does not reveal much detail but suggests a natural setting such as a beach or lakeside with other birds flying in the distance.

The image carries an artistic composition quality, reminiscent of classical still-life paintings where objects are arranged to create balance and harmony within the frame. It captures the textures and forms of the feathers and beaks quite clearly due to its monochrome tones which highlight contrast and detail.

There's a notable absence of color since it is in grayscale; however, this choice emphasizes shapes, patterns, and shades that provid

#photography #fotografie #southafrica #edvanderelsken #durban #zuid #opgezette

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Bierhal in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

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Bierhal in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-25-21

The image depicts a bustling indoor setting with numerous individuals gathered closely together, suggesting it is likely some form of public establishment such as a restaurant or cafe. Two men are prominently featured in the foreground; one on the left side appears to be drinking from an elongated vessel typically used for serving beverages like beer, while wearing what looks like a leather jacket and cap indicative of early 20th-century attire.

The man on the right is seated at a table, smiling broadly towards the camera. He's dressed in a tweed blazer with his sleeves rolled up to reveal checkered patterns; he also sports a flat cap that complements his cheerful demeanor.

Behind them, various other patrons are visible—some engaged in conversation while others seem absorbed in their meals or drinks. The background is filled with similar individuals, creating an atmosphere of busy social interaction typical of such venues during the late 19th to early 20th centuries.

The photo

#photography #fotografie #edvanderelsken #durban #zuid #bierhal

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Geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans, in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

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Geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans, in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-25-19

The image depicts a group of individuals engaged in an outdoor activity on what appears to be rough, unpaved ground. The scene is black and white, capturing people dressed primarily in dark or muted-toned clothing. A central figure is being lifted by others; this person's face shows discomfort as they are held up from the back with both arms extended above their head.

Behind them, several individuals watch, some standing upright while one carries a flag aloft on a pole. The background reveals an open landscape with buildings in various states of construction or disrepair and vegetation that suggests rural surroundings. There's no clear indication of modern technology, which might indicate the photo was taken at a time when such equipment wasn't prevalent.

The context provided by the link indicates this image is associated with "Geloofsgemeenschap genaamd 'The Apostles'" during a ritual dance in Durban, South Africa. This group appears to be participating in some form of ceremonia

#photography #fotografie #southafrica #edvanderelsken #durban #zuid

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Fotoreproductie van een foto van een geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans, in Durban, Zuid-Afrika, Ed van der Elsken, 19

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Fotoreproductie van een foto van een geloofsgemeenschap genaamd 'The Apostles' tijdens een rituele dans, in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

http://www.rijksmuseum.nl/en/collection/RP-F-2019-299-46-61

The image is a black and white photograph depicting four men in close proximity, likely engaged in an intense interaction. The central figure appears to be exerting physical pressure on another man's face or neck with his right hand. This person has a determined expression and is dressed in what seems like a light-colored jacket over a dark shirt. To the left of this individual, another man looks on intently; he wears glasses and a coat, suggesting it might be cold weather.

On the far right side of the frame, two more men are visible—one being held from behind by an unseen person whose arm is partially in view. The man's mouth is open as if shouting or protesting against something. He has long hair tied back with what appears to be a headband and wears a coat similar to that worn by the central figure.

In the background, other individuals can be seen, but their features are less distinct due to motion blur or focus on the group in the foreground. The setting seems outdoor during

#photography #fotografie #edvanderelsken #durban #zuid

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Links: witte pagina; rechts: dansers in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

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Links: witte pagina; rechts: dansers in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-1-6(R)

The image displays an open book or album with two visible pages. On the left page is a blank, off-white surface showing signs of age and wear such as creases and minor discoloration spots which suggest it might be old.

On the right side, there's a black-and-white photograph featuring multiple individuals who appear to be engaged in some form of cultural or ceremonial dance. The people are adorned with what looks like traditional African attire that includes feathered headgear, necklaces, arm bands, and skirts made from animal skins or raffia fibers. Their expressions range from focused engagement to joyful participation.

Behind the dancers is a backdrop featuring trees and possibly other individuals who may be part of this event but not in focus within the frame. The grayscale tones provide details on clothing textures and patterns as well as skin tone contrasts which add depth to their features and attire.

The image captures a moment with high contrast, emphasizing shadows an

#photography #fotografie #edvanderelsken #african #durban #zuid

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Bierhal in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

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Bierhal in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-1-5(V)

The image depicts a black and white photograph of several individuals gathered inside what appears to be an enclosure or cage. The people are seated closely together, engaged in conversation with each other. One person is standing outside the chain-link fence that surrounds them, seemingly participating in their discussion through observation.

The lighting casts deep shadows on the subjects' faces, emphasizing their profiles and expressions. There's a stark contrast between light and dark areas within the image, which adds to its dramatic effect. The background beyond the cage-like structure appears dimly lit, with some indistinct shapes visible but no clear details due to the focus being on the group inside.

The photograph has an overall gritty texture and conveys a sense of intimacy or secrecy among the individuals depicted. It is likely capturing a candid moment within this confined space, possibly suggesting themes such as confinement, restriction, camaraderie, or social inte

#photography #fotografie #edvanderelsken #durban #zuid #bierhal

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Durban, Zuid-Afrika, met rechts enkele leden van een religieuze sekte in trance, Ed van der Elsken (attributed to), 1959

-Afrika

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Durban, Zuid-Afrika, met rechts enkele leden van een religieuze sekte in trance, Ed van der Elsken (attributed to), 1959

-Afrika

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-5-48

The image is a black and white split photograph depicting two different scenes. On the left side, there are individuals dressed in traditional attire that suggests they might be part of a cultural or religious ceremony. They wear feathered headdresses, fur garments, and various accessories such as necklaces and bracelets. The expressions on their faces convey intensity and focus.

On the right side, we see two men engaged in what appears to be an intense physical struggle or confrontation. One man is holding onto another's arm tightly while both are leaning forward with strained facial expressions. Their clothing indicates a more modern context compared to the left scene; they wear utilitarian uniforms that could belong to military or work-related attire.

The images collectively give off a stark contrast between ritualistic, cultural practice on one side and physical conflict on the other. The photograph is attributed to Ed van der Elsken from Durban, South Africa, in 1959.

#photography #fotografie #southafrica #edvanderelsken #durban #zuid

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Bank met witte mensen langs de kust in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

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Bank met witte mensen langs de kust in Durban, Zuid-Afrika, Ed van der Elsken, 1959

-Afrika

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-1-2(V)

This black and white photograph depicts four individuals seated on a bench by the seaside. The sign attached to the back of the bench reads "EUROPEANS BLANKETS," suggesting segregation based on nationality or race during that time period, likely in South Africa given the context provided.

The group is composed primarily of women with visible attire including polka-dotted and floral patterns, indicative of mid-20th-century fashion. The setting appears to be a beachfront promenade, as evidenced by what looks like waves gently breaking on the shore under an overcast sky in the background. Their posture suggests they are engaged in conversation or perhaps watching something at sea.

Notably absent from this scene is any overt display of emotions that might convey their thoughts and feelings about being segregated. The image captures a moment in time, likely during apartheid when racial segregation was enforced through policies like these "blanket" beaches for different ethnic groups t

#photography #fotografie #southafrica #edvanderelsken #dutch #europeans #wittemensen #durban #zuid

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Affiche in een krantenkiosk, Parijs, Ed van der Elsken, 1950 - 1954

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Affiche in een krantenkiosk, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-26-45

This black and white photograph captures a striking advertisement featuring a female figure in a provocative pose. The woman is depicted with her head tilted to one side, exuding confidence and allure as she gazes off into the distance. Her hair styled voluminously over her shoulders adds to the vintage glamour of the image.

The ad includes bold text that reads "J'Ai Castre Mon Cousin Pour Venger Mon Houneur," which translates from French meaning "I have castrated my cousin for revenge on my honor." This statement, coupled with additional phrases such as "d'etuve son enfant pour detruire son amour" and "Le Document Exclusif de Detective - Le Motleurtrier," suggests a dramatic narrative likely associated with the publication mentioned.

The overall aesthetic of the image is reminiscent of mid-20th-century advertising styles, characterized by its strong typography and attention-grabbing visual elements. The photograph appears to be part of an exhibition or collection dedicated to Ed

#photography #fotografie #edvanderelsken #paris #elsken #french #parijs #affiche #jaicastremon

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Dakloze man slaapt op de Rue Réaumur in Parijs, Ed van der Elsken, 1950

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Dakloze man slaapt op de Rue Réaumur in Parijs, Ed van der Elsken, 1950

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-22-13

The image is a black and white photograph showing an individual lying on the ground. The person appears to be wearing dark clothing, with only their head uncovered as they lay back against what looks like a stone wall or barrier made of concrete slabs. They are holding up a large pile of crumpled newspapers above their face in such a way that it obscures most features and details about themselves from view.

The scene is outdoors; the ground seems to be asphalt, indicative of an urban environment, with foliage visible at the edges suggesting some greenery or bushes nearby. The setting looks like a street corner or perhaps alongside a walkway given these contextual clues.

In addition to the photograph itself, there's handwritten text in blue ink at the bottom right that reads "Ed van der Elsken Paris 1950." This indicates that Ed van der Elsken took this photo while he was in Paris during the year 1950. The handwriting is neat and legible against the lighter area of the photograph.

#photography #fotografie #edvanderelsken #paris #elsken #parijs #dakloze #deruereaumur #edvander #elskenparis

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Bedelende blinde vrouw in Parijs, Ed van der Elsken, 1950 - 1954

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Bedelende blinde vrouw in Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-22-17

The image is a black and white photograph depicting an individual standing on the street. The person appears to be wearing sunglasses, a coat, shoes with buckles, and holding what seems like a sign or paper in their right hand. They are also accompanied by a dog lying down beside them on the pavement.

Behind this figure, there's a wall that features signs indicating "RUE HALEVY." The setting suggests an urban environment, possibly during historical times given its monochrome quality and style of clothing. There is no visible context or background story provided within the image itself.

#photography #fotografie #edvanderelsken #parijs #ruehalevy

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Benny met een vrouw in café Aux Deux Magots, Parijs, Ed van der Elsken, 1950 - 1954

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Benny met een vrouw in café Aux Deux Magots, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-242-9-32

The image is a black and white photograph depicting two individuals, presumably in an intimate moment. The person on the left appears to be leaning towards or into another individual seated across from them at what seems like a table with various items scattered upon it.

The lighting suggests that this photo might have been taken indoors during daylight hours as natural light illuminates part of the background and is visible through windows behind the individuals. The attire, hairstyles, and general ambiance hint at a casual setting in possibly an urban environment from a past era, perhaps mid-20th century given its aesthetic.

The two people seem to be engaged with each other; their gazes are not directly interacting but rather directed towards one another, which could indicate conversation or shared focus on something beyond the frame. The person seated appears contemplative while reaching out as if in an action of touching or gesturing toward themselves.

The photograph captu

#photography #fotografie #edvanderelsken #parijs #benny #auxdeuxmagots

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Blinde vrouw speelt viool in Parijs, Ed van der Elsken, 1950

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Blinde vrouw speelt viool in Parijs, Ed van der Elsken, 1950

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-22-16

A black and white photograph captures a woman seated on the steps of a building, engrossed in playing her violin. Dressed formally with sunglasses perched atop her head, she holds a cane over her shoulder while strumming her instrument. She wears dark shoes, stockings, and carries an item tucked under one arm that could be either a bag or coat. The urban backdrop is minimalistic, consisting of the building's concrete structure which provides context to suggest this might be in Paris given historical references (as indicated by 'Blinde vrouw speelt viool in Parijs'). This image may reflect daily life and street performances from mid-20th-century Europe.

#photography #fotografie #edvanderelsken #europe #paris #parijs #blindevrouwspeelt

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Dakloze man met hoed slaapt op straat in Parijs, Ed van der Elsken, 1950 - 1954

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Dakloze man met hoed slaapt op straat in Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-22-19

The image is a black and white photograph depicting an elderly individual resting their head on what appears to be a concrete ledge. The person's face is partially obscured by the brim of a dark, fedora-style hat that rests atop their folded arms or perhaps their shoulders draped over something indistinct. They wear heavy winter clothing suggesting cold weather; this includes a checked patterned jacket with large lapels and what seems to be thick knit wristbands on both wrists.

The individual's pose exudes fatigue or restfulness, as they seem to have fallen asleep in public space. The background is nondescript but suggests an urban setting due to the texture of the surface against which the person rests. There are no discernible features that indicate a specific location within Paris during 1950-1954.

The photograph's composition focuses on capturing this moment of repose, conveying both solitude and anonymity in an expansive cityscape, as is often explored by street photographer

#photography #fotografie #edvanderelsken #paris #parijs #dakloze

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Dakloze man slapend met zijn hoofd in zijn hand, Parijs, Ed van der Elsken, 1950 - 1954

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Dakloze man slapend met zijn hoofd in zijn hand, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-22-18

The image is a black and white photograph of an elderly man resting his head on the backrest of a wooden bench. He appears to be asleep, with one hand supporting his cheek as he leans against himself. The man has prominent facial hair including bushy eyebrows, a full beard, and mustache, giving him a weathered look. His attire consists of a dark jacket adorned with several visible buttons down the front and on the sleeves. Underneath, there seems to be a black garment that could possibly be a vest or shirt. The background is blurred but suggests an outdoor setting with some greenery, indicating it might be in a park or garden area. There's a notable contrast between the man’s features and clothing against the bench behind him which has horizontal slats typical of public seating found in urban parks.

#photography #fotografie #edvanderelsken #parijs #dakloze

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Dakloze man slaapt op de Rue Réaumur in Parijs, Ed van der Elsken, 1950

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Dakloze man slaapt op de Rue Réaumur in Parijs, Ed van der Elsken, 1950

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-22-14

The image is a black and white photograph depicting an elderly man lying down on what appears to be the ground. He seems to be in deep repose or possibly unconscious, with his eyes closed and mouth slightly open. The subject has visible facial features such as wrinkles, dark circles under the eyes, and prominent cheekbones. His ears are also quite noticeable.

He is wearing a coat that covers most of his body, suggesting it might be cold outside. Underneath him appears to be newspapers or some type of printed material with text on them. The surrounding environment seems gritty and unkempt, hinting at an urban setting. There's no clear indication of the man’s identity or context for why he is in this position.

The photograph has a raw, candid quality that suggests it was taken spontaneously rather than posed. It captures a moment of stillness amidst what could be hardship or restlessness on the streets. The overall mood conveyed by the image is one of contemplation and quietude, wi

#photography #fotografie #edvanderelsken #parijs #dakloze #deruereaumur

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Twee vrouwen met hoed steken een straat over, Parijs, Ed van der Elsken, 1950 - 1954

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Twee vrouwen met hoed steken een straat over, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-66

The image depicts two women dressed in long dark coats, standing on a damp street. They are wearing matching black hats with veils and carrying umbrellas, suggesting it might be raining or has just rained. The figures appear to be nuns based on their attire. In the background, bare trees indicate that it could be autumn or winter. A building can also be seen in the distance under a hazy sky. This photograph is black-and-white, which adds to its vintage feel and gives no indication of color details.

#photography #fotografie #edvanderelsken #parijs

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Dakloze man op straat, Parijs, Ed van der Elsken, 1950 - 1954

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Dakloze man op straat, Parijs, Ed van der Elsken, 1950 - 1954

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http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-36

The image captures a candid moment featuring an individual standing against a backdrop of vertical blinds, likely part of the exterior facade of a building. The person is dressed in layered clothing including what appears to be a scarf or shawl draped around their neck and shoulders, over which they wear another garment with visible patterns. They also have on trousers that seem worn and darkened by use.

In one hand, they hold an object resembling a bottle, possibly glass, suggesting it might contain some liquid. The person's expression is animated as if caught mid-speech or gesture, adding to the spontaneous feel of the photograph. Their feet are clad in what appear to be work boots with signs of wear and dirt on them.

The monochrome tones enhance the texture contrasts between the individual’s clothing and their surroundings, from the rough fabric textures to the smoother surfaces of the metallic blinds behind them. The lighting is even across the scene without harsh shadows or

#photography #fotografie #edvanderelsken #paris #vanderelsken #parijs #dakloze

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Twee harige honden op straat bij een reparatieloket voor aanstekers, Parijs, Ed van der Elsken, 1950 - 1954

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Twee harige honden op straat bij een reparatieloket voor aanstekers, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-48

The image captures a street scene with two individuals seated on chairs outside what appears to be a kiosk or repair station labeled "BRIQUETS STYLOS" which translates from French as 'Stylus Pencils'. A sign above the stall indicates that these are also known as 'Machines à écrite', suggesting they serve for writing purposes. The vendor, wearing a hat and coat typical of earlier decades, is attending to his wares beside an array of items possibly related to pencils or pens.

Both seated individuals have unusual furry garments covering their heads, adding a whimsical element to the scene which suggests it might be cold outside given their heavy clothing. In the background, we observe part of Parisian architecture with pedestrians walking by, and buildings that reflect early 20th-century European urban design.

The image is in black-and-white, reinforcing its historical context likely from mid-20th century Europe based on fashion and architectural style. The absence of modern element

#european #photography #fotografie #edvanderelsken #europe #french #parijs #parisian #briquetsstylos #styluspencils

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Slapende dakloze man, Parijs, Ed van der Elsken, 1950 - 1954

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Slapende dakloze man, Parijs, Ed van der Elsken, 1950 - 1954

http://www.rijksmuseum.nl/en/collection/RP-F-2019-298-41-69

The image depicts a man lying down on the ground, seemingly asleep. He is wearing a hat and a checkered jacket with rolled-up sleeves. His head rests in his arms which are crossed over him, and he appears to be covered by some sort of blanket or clothing material. The setting seems to be an outdoor urban environment based on what can be seen around him. There's no indication of the man’s identity, leaving it ambiguous as a representation of homelessness during that time period.

#photography #fotografie #edvanderelsken #parijs #slapende

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